Campbell can be reached at blake_campbell@emerson.edu.
Writing longhand was not an arbitrary decision. For some time, I’ve been thinking critically about how much our age’s proliferation of technology has encumbered writers and readers.
It’s easy to understand how our lives influence the art we produce and the way we look at other’s art (I’ve heard the mantra “write what you know” more times at Emerson than I can count) but the inverse of that — how art influences our lives — is something I hear talked about much less frequently.
Young writers often take the mechanics of their craft for granted — I know I do.
Caitlín R. Kiernan, a Providence-based writer of Lovecraftian horror and science fiction, blogs regularly on LiveJournal, documenting her progress on various projects and offering her opinions on movies, music, and literature. Fight Club author Chuck Palahniuk tweets links to helpful writing advice pages and thought-provoking opinion pieces on contemporary works of literature. Horror writer Joe Hill recently tweeted his invigorating experience of finishing Moby Dick.
Certainly, such a story isn’t the first thing that comes to mind when you think of “literary fiction,” and I was a little shocked to find it in one of the country’s premier literary magazines.
Layered and experimental, Jake Sorgen’s new album Sudden Myth offers an intriguing flavor of folk.
Shakespeare Society’s production of Spoon River, which ran last weekend in the Piano Row Multipurpose Room, held spectators spellbound with a series of monologues that form a haunting commentary on small town life.
Football players are shy, awkward, and misunderstood by the student body. Chess players are egged on by hoots and hollers from the crowd. Homosexuality is the norm, heterosexuality is unacceptable, and love is always in the air. This is Heartsville High, the quirky setting of Zanna, Don’t!: A Musical Fairy Tale.
In the Piano Row Multipurpose Room on Tuesday, Feb. 28, the Emerson comedy troupe Stroopwafel, provided a much-needed escape from the stress of midterms with their audience-driven brand of improvisational humor. Sharp, witty, and fun, their first show of the semester electrified the audience.
Loaded with good-natured camp and nostalgia, Joseph Freeman’s The Space EP is a brief but captivating journey through the tropes and traditions of classic science fiction
Last Thursday, the Edgar Allan Poe Foundation of Boston held Poe’s 203rd birthday celebration at the Boston Public Library and detailed plans for the construction of a memorial at Boylston and Charles streets.
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