Emerson College’s only independent, student-run newspaper since 1947

The Berkeley Beacon

Emerson College’s only independent, student-run newspaper since 1947

The Berkeley Beacon

Emerson College’s only independent, student-run newspaper since 1947

The Berkeley Beacon

Music is cinema: 2024 Grammy predictions

Music+is+cinema%3A+2024+Grammy+predictions
Clara Faulkner

The musical landscape of 2023 is encapsulated in the essence of one word: cinematic. From SZA’s powerful “Kill Bill” to Billie Eilish’s euphonic “What Was I Made For?” inspired by Barbie, the year witnessed a transformative shift where music transcended mere lyrics, embracing a rich, visual narrative. As the anticipation for the 2024 Grammys builds, a fiercely competitive lineup is expected to unfold. 

If my predictions hold, the cinematic experiences that graced our screens will not only be remembered but will dominate the top four categories at the Grammy Awards on Feb. 4. In this era of musical storytelling, artists have seamlessly woven visuals into their craft, creating immersive experiences that resonate beyond the realm of sound. From production quality to storytelling prowess, the fierce competition will reflect the industry’s evolution towards a more visually immersive musical space. 

Best New Artist

When navigating the realm of Best New Artist nominees, the challenge arises in predicting the winner from a diverse pool of musicians spanning folk, pop, and R&B genres. My foresight hones in on two influential figures who have left an indelible mark on charts and have become social media sensations: Noah Kahan and Gracie Abrams. 

Kahan, a rising folk star, weaves intricate narratives rooted in the streets and landmarks of his Vermont hometown. Addressing mental health and rural ennui themes, he seamlessly blends two musical genres, consistently landing on charts with his new releases. A testament to his versatility, both nominees have collaborated on Kahan’s “Everywhere, Everything,” showcasing why they both deserve recognition for their shared success. 

On the other side of this musical duo is Gracie Abrams, a 24-year-old singer-songwriter whose debut album, “Good Riddance,” was released on Feb. 24 and has captured hearts globally. Headlining two tours and supporting Olivia Rodrigo on her “SOUR” tour, Abrams, in collaboration with Aaron Dessner of The National, has crafted an emotive discography that fuels international anticipation. 

Her role as Taylor Swift’s opening act during the monumental “Eras Tour” has undoubtedly elevated her standing, making her a formidable contender for the coveted Best New Artist accolade. With her haunting voice and raw lyricism that resonates globally, Abrams is a confident prediction for securing the Best New Artist award. As the industry eagerly awaits the revelation, the narrative of these two exceptional artists adds a layer of excitement to the upcoming Grammy night.

Song of the Year

A cinematic impact is set to reverberate in a category tailor-made for Grammy favorite Billie Eilish, particularly with a track that perfectly encapsulates the themes of Greta Gerwig’s Barbie. Following the Barbenheimer summer domination, Eilish’s song has become a social media sensation. A soul-tied melody with ballad undertones sparks an instant yearning for self-discovery, showcasing Eilish’s genius songwriting that has left an ineradicable mark on the film and music industries. 

Amidst a cinematic year, Taylor Swift, asserting dominance in the live music scene with the release of her tour movie and the hit “Anti-Hero,” stands as a formidable contender. While Swift’s prowess as an incredible songwriter is universally acknowledged, speculation looms that the Grammys might aim for more evenly distributed accolades this year. 

The evolving media landscape, shaped by transformations in cinema and the adaptation of live music tours post-Covid, introduces a new perspective to Grammy award selections. Despite these shifts, the defining theme of the summer, encapsulated as “girlhood,” seems destined to manifest when Billie Eilish claims the Song of the Year. As the Grammys navigate the changing dynamics of the entertainment industry, Eilish’s ability to capture the zeitgeist and deliver a resonant anthem reinforces her status as a frontrunner in this prestigious category.

Record of the Year

This award recognizes the artists, producers, and engineers crafting the year’s standout single—set apart from Song of the Year by focusing on the comprehensive collaboration of talents rather than solely honoring songwriters. The Grammy landscape saw a transition in slots for this and related categories, expanding to 10 in 2022 but reverting to eight in 2024. Last year’s 65th Grammys witnessed a shift in winners, with Lizzo’s “About Damn Time” claiming the spotlight. 

Notably, there has been a trend of media-centric tracks securing this accolade, and the anticipation suggests that the pattern will persist with “Anti-Hero” emerging as the triumphant entry. This catchy tune, resonating with the world’s introspective exploration of the “devices that come with prices,” offers a brutally honest narrative that the music scene thirsted for in 2023. 

Swift’s dominance on Grammy night is foreseen, and my prediction extends to her adding the coveted Record of the Year to her accolades. As the industry braces for the celebration, the anticipation builds to witness whether “Anti-Hero” will secure its place as a groundbreaking force in the Record of the Year category.

Album of the Year

As a devoted Lana Del Rey fan, her presence on this list after the release of “Did You Know That There’s a Tunnel Under Ocean Blvd” didn’t come as a surprise to me. Del Rey makes a double appearance in this category, featured on Swift’s nominated “Midnights.” While Del Rey and her fans would appreciate the recognition from the Academy, it’s worth noting her six past Grammy nominations, including an Album of the Year nod for “Norman F*cking Rockwell!”—an award that has eluded her so far. 

Pop culture’s influence is evident in this category, where chart-toppers and social media favorites often shine. The anticipation builds for Olivia Rodrigo, an industry trailblazer with her 2023 album “GUTS” following the success of “SOUR” in 2022. Rodrigo’s dual wins for Best New Artist and Pop Solo Album last year heightened expectations for her dynamic, unique, and carefully crafted releases. Her sound, reminiscent of an edgy punk-rock Avril Lavigne style, delivers lyrically advanced ballads and uniquely crafted melodies, contributing something raw, young, and nostalgic to the industry. 

Beyond the captivating narratives of Lana Del Rey and the rising force of Olivia Rodrigo, the Grammys are set for a dynamic clash. As the industry watches, the allure of “Midnights” suggests Swift’s inevitable triumph in this category. With her 12 Grammy wins and historic Album of the Year titles, Swift is a seasoned veteran, yet “Midnights” is a testament to her ever-evolving artistry. The album reflects Swift’s maturity as an artist and showcases her ability to transcend musical boundaries. 

Each track possesses a distinct essence, allowing “Midnights” to resonate with a diverse audience. Swift’s skillful storytelling and musical prowess shine throughout, solidifying her as a force to be reckoned with in the music industry. While Lana Del Rey’s fans hope for overdue recognition and Olivia Rodrigo’s groundbreaking approach keeps the industry on its toes, “Midnights” emerges as a masterpiece. 

Swift’s rich legacy at the Grammys is poised for another chapter, as the album’s multifaceted nature resonates with critics and fans alike. As the awards night approaches, the anticipation builds, leaving the audience eager to witness if “Midnights” will claim its reign in the realm of the Grammys and if Swift’s era will continue.

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About the Contributor
Clara Faulkner
Clara Faulkner, Managing Editor and Living Arts Editor
Clara Faulkner wears multiple hats at the Beacon, serving as both the Business Director and the Living Arts Editor. Prior to assuming these roles, she demonstrated her expertise as an assistant editor, specializing in living arts—a domain she is deeply passionate about, fueled by her love for pop culture and entertainment. Additionally, Clara served as a writer for the Boston Globe, Boston.com, is a part of NBCUniversal Entertainment Group, and contributed to the music team at Intersect Magazine. In addition to her editorial responsibilities, Clara actively participates in various campus organizations, including SPJ, Associate Entertainment Producer at WEBN-TV, programming director at WECB. fm, and AEPHI. Outside of her writing pursuits, Clara immerses herself in culinary exploration, cinematic enjoyment, and language acquisition, consistently seeking fresh experiences and knowledge.

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