Upon walking into the Huret and Spector Gallery on the sixth floor of the Tufte Building this week, one is greeted by a professional, vibrant, and emotional...
On Wednesday Dec. 8, I walked into the City Winery with the brightest smile plastered across my face. Want to know why? Jane Lynch’s “A Swingin Little...
Donald Fagen, decked out in a blazer and sunglasses, remarked to the raucous crowd of Baby Boomers at Nov. 19’s Steely Dan concert that he and the band...
Two exhibitions currently on display at the Institute of Contemporary Art provide viewers with a unique and bleeding edge experience, as they call current...
On Nov. 13, I watched “Iphigenia,” an opera that tells a new rendition of the well-known Greek Myth Iphigenia at Aulis, in the Cutler Majestic theater...
Emerson Stage will conclude its fall season with a production of “Marie Antoinette,” that aims to present audiences with a revolutionary and contemporary...
After over a year of strictly pre-recorded and live streamed events, Emerson Dance Company is kicking off their first post-pandemic season in the Semel...
A new musical from Obie Award winner Whitney White running in Boston examines what it means to be an ambitious, contemporary Black woman using the themes...
The public art installation “What Do We Have in Common?” concluded its run on Boston Common Sunday after a month of prompting passersby with questions...
Most people are familiar with the classic story of “Annie”—an orphan girl who is selected to live with rich man Oliver “Daddy” Warbucks who eventually...
Like many industries in the US, the comedic arts are dominated by white males, making it especially noteworthy and necessary when women of color take the...
